CV

Solo and Two-Person Exhibitions

  • 2022 Elevate & Holon, Art Gallery of Regina
  • 2021 Elevate, McClure Gallery, Montreal
  • 2017 Scaffolding for Minutiae, Kelowna Art Gallery
  • 2017 disappear and disappear, Maison de la Culture Notre-Dame-de-Grâce, Montreal
  • 2017 Assemblages pour l’anodin, Maison de la Culture Pointe-aux-Trembles, Montreal
  • 2014 Imminent Season, Galerie Arp, Montreal
  • 2008 Afterimage, Galerie B-312, Montreal
  • 2008 Rémanence, Grave, Victoriaville (Quebec)
  • 2002 Sky Lines, Centre des arts actuels Skol, Montreal
  • 2001 Neighbourhood, Gallery 101, Ottawa

Group Exhibitions (selected)

  • 2023 Rising Tide, City Hall Art Gallery, Ottawa
  • 2020 Painting 2020, John B. Aird Gallery, Toronto
  • 2012 Collecting Photography, Collecting the World, Beaverbrook Art Gallery, Fredericton
  • 2008 Biennale du dessin, 2e édition, Musée d’art de Mont-Saint-Hilaire, Mont-Saint-Hilaire (Quebec)
  • 2004 Proof 11, Gallery 44, Toronto

Art Writing

  • 2023 « Vida Simon & Jack Stanley, Carried Away: The Fruit Outside of the Frame », Esse, September 2023, p. 104.

Commissions and Public Projects

  • 2022 Learning with the St. Laurence, Digital field guides created by artists. Project Lead: Kathleen Vaughan, Concordia University
  • 2009 Meet me in the stacks: The Bookmark Project. MacLaren Art Centre, Barrie (Ontario)
  • 2006 The Candidates, (on-line presentation and poster project) Centre des arts actuels Skol, Montreal
  • 2005 Inhabit, Public space interventions and walking tour in Montreal’s Mile End neighbourhood

Awards and Residencies

  • 2022 Conseil des arts et des lettres du Québec grant: Circulation of work outside of Quebec
  • 2022 Canada Council for the Arts grant: Arts Across Canada
  • 2007 Artist in residence, Vermont Studio Centre
  • 2006 Conseil des arts et des lettres du Québec grant: Artistic research and creation
  • 2006 Artist in residence, Saskatchewan Artists and Writers Colonies
  • 2004 Canada Council for the Arts grant: Creation and production
  • 2004 Artist in residence, Atelier d’estampe Sagamie

Collections

City of Ottawa, Beaverbrook Art Gallery, private collections.

Education

  • 1999 Bachelor of Fine Arts, Major in Visual Arts, University of Ottawa

Publications, Reviews and Interviews

  • EISERMAN, Hannah. « What’s going on at the Art Gallery of Regina? », The Carillon, March 24, 2022, p. 9.
  • FRIGON, Raphaële. « L’abstraction : un langage au-delà des mots », Radio-Canada : Ici Saskatchewan [Web], March 19, 2022.
  • « Art in the Abstract », Regina Leader Post, March 22, 2022, p. A2.
  • WYLIE, Liz. « She Waits While You Think About It », Kelowna Art Gallery Dossiers. 2017.
  • LOUBIER, Patrice. « The Candidates de Nikki Middlemiss », Livraison no. 9 : Centre des arts actuels Skol (Montreal) / rhinocéros (Strasbourg), 2008, pp. 18-24.
  • GRONDIN, Kateline. « Rémanence ou les résidus de la splendeur », La Nouvelle Union (Victoriaville), March 7, 2008.
  • FORGET, Bettina. Review of Afterimage, The Belgo Report, [Blog], #1, January 25, 2008.
  • McDEVITT, Katy. « Nikki Middlemiss: The Candidates », MIX Magazine, issue 32.1, 2007, p. 24.
  • ENACHE, Alexandra. « La photographie, on quête de nouveaux horizons », review of Proof 11, L’Express (Ottawa), July 20, 2004, p. 6.
  • KASHMERE, Brett. « The In/visible Architecture of Everyday Life », 2002/2003 season catalogue: Centre des arts actuels Skol, c2003, p. 12.
  • DELGADO, Jérôme. Review of Sky Lines, La Presse, August 24, 2002, p. D15.
  • MAVRIKAKIS, Nicolas. « Regard d’acier », review of Sky Lines, Voir (Montreal), August 8, 2002, p. 34.
  • ROCKBURN, Ken. All in a Day [Interview], CBC Radio One (Ottawa), January 18, 2001.